Unlocking Social MediaDuring the first class of the first creative writing course I ever took, my teacher posited the question to us of what is the minimum word length a writer could write a story. I remembered that the “Cask of Amontillado” was really short, so I offered a guess of 500 words. Other classmates gave guesses of 300, 450, and 200. One courageous student said 20, but when he was asked to say a story in 20 words or less, he sunk into his seat and offered only a meager excuse of how he didn’t have his coffee yet. Admitting defeat, we deferred back to the teacher who wrote this on the board:

For sale: baby shoes, never worn.

Although it’s been disputed whether or not Hemingway actually wrote this short story, you have to admit that the single line is rather compelling. Immediately, you ask questions of whether or not there was a baby, if the baby died in childbirth, or if the baby just had too chubby of feet to fit into the shoes. Because of the ambiguity and structure of this sentence, a linguist would have a field day with this story.

For example, in linguistics, syntax usually refers to the order of the words in a sentence and how this affects the meaning. Notice that the writer chose to end with the phrase, never worn. By doing this, it intimates that there is shame on the part of person who says it because there is a slight pause with the comma, indicating hesitation.

Let’s say you wrote the sentence like this instead: Never worn baby shoes for sale! Here, never worn is right in the forefront, suggesting that the writer is proud of the fact that the shoes have never been worn and is using this as a selling point. Although both sentences feature the same six words, there are stark differences between the two. Yet each is a story on its own – just a very different one at that.

I described my first day in Creative Writing 101 not to illustrate why I got a C in the course, but rather to show the wondrous ability writers have to create meaning out of words, even if there are many restrictions put on them.

In SEO, this is no different; in fact, some content writers might argue that SEO puts so many restrictions on them, with character limits, tone and keywords, that it creates a sink or swim situation: Either you can choose to sink amidst the limitations put on you and write the same old story, or you can choose to swim with the current and deliver the best content that you can within those parameters (such as being asked to write a story in six words or less).

If you do choose to swim, here are two things to consider that deal with linguistics:

• Don’t try to write a new story – it’ll never happen. The key in creating good content is saying the same story in a new and interesting way. In SEO, you’re writing content that is geared towards specific keywords and themes, but is there a way to write that content that will spark readers’ interests? Can you play around with word choice to derive more meaning out of those keywords, rather than just writing the same old boring content that will never get picked up by anyone? Given the fact that we use a computer screen to read pages and are, therefore, conditioned to scroll up and down and glance, can you layout and edit down your content in a way that will spark meaning within seconds in order to get the message across? It’s cliché, but how you write the story is what matters.

• Computers don’t exactly understand context. In linguistics, the ability to use context, place, intent and other factors is called pragmatics. Computers can infer meaning through latent semantic indexing, but this is no guarantee. Think of the movie, Terminator 2 when John Connor teaches the Terminator how to speak like a human. The Terminator doesn’t understand slang or sarcasm. However, by becoming more human as he stays with John and Sara, he infers the meaning of what is being said and uses phrases like “Hasta La Vista, Baby” correctly. By understanding the targeted reader of your content, you can use phrases and terms that coincide with their contextual understanding of things to connect with them and create engaging content.

By considering linguistics and rising to the occasion of working within limitations that SEO demands, you can certainly create interesting and shareable content that others will actually find compelling.